• Anglický jazyk

Brazilian pianists

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Source: Wikipedia. Pages: 40. Chapters: Brazilian classical pianists, Brazilian jazz pianists, Hermeto Pascoal, Antonio Carlos Jobim, Egberto Gismonti, João Donato, Wilhelm Schröter, Anaya Music, Sérgio Mendes, Ed Lincoln, Eumir Deodato, Guiomar Novaes,... Viac o knihe

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Source: Wikipedia. Pages: 40. Chapters: Brazilian classical pianists, Brazilian jazz pianists, Hermeto Pascoal, Antonio Carlos Jobim, Egberto Gismonti, João Donato, Wilhelm Schröter, Anaya Music, Sérgio Mendes, Ed Lincoln, Eumir Deodato, Guiomar Novaes, Nelson Freire, Cesar Camargo Mariano, Tania Maria, José Antônio Rezende de Almeida Prado, Marlos Nobre, Ernesto Nazareth, Maria Alice de Mendonça, Fábio Caramuru, Lelo Nazario, José Feghali, Dick Farney, Nahim Marun, Guilherme Arantes, Manfredo Fest, Jovino Santos-Neto, Chiquinha Gonzaga, Walter Wanderley, Roberto Szidon, Cristina Ortiz, Arnaldo Cohen, Ed Motta, Luiz Eça, Magda Tagliaferro, Jocy de Oliveira, Leila Pinheiro, Sergio Monteiro, Arthur Napoleão dos Santos, Jacques Klein, Johnny Alf, José Carlos Amaral Vieira, Jadir Ambrósio, Túlio Mourão, Edson Elias, Dom Salvador, Arthur Moreira Lima, Francis Hime, José Carlos Cocarelli, Marcelo Zarvos, João Carlos Martins, Wagner Tiso, Steve Barta, Luiz Avellar, Andre Marques. Excerpt: Antonio Carlos Brasileiro de Almeida Jobim (January 25, 1927 - December 8, 1994), also known as Tom Jobim (Portuguese pronunciation: ), was a Brazilian songwriter, composer, arranger, singer, and pianist/guitarist. He was a primary force behind the creation of the bossa nova style, and his songs have been performed by many singers and instrumentalists within Brazil and internationally. Jobim's musical roots were planted firmly in the work of Pixinguinha, the legendary musician and composer who began modern Brazilian music in the 1930s. Among his teachers were Lúcia Branco, and, from 1941 on, Hans-Joachim Koellreutter. Jobim was also influenced by the French composers Claude Debussy and Maurice Ravel, by the Brazilian composer Heitor Villa-Lobos, and by jazz. Among many themes, his lyrics talked about love, self discovery, betrayal, joy and especially about the birds and natural wonders of Brazil, like the "Mata Atlântica" forest, characters of Brazilian folklore like Matita Pereira (Saci Pererê), and his home city of Rio de Janeiro. Jobim became prominent in Brazil when he teamed up with poet and diplomat Vinicius de Moraes to write the music for the play Orfeu de Conceição (1956). The most popular song from the show was "Se Todos Fossem Iguais A Você" ("Someone to Light Up My Life"). Later, when the play was turned into a film, producer Sacha Gordine did not want to use any of the existing music from the play. Gordine asked de Moraes and Jobim for a new score for the film Black Orpheus (1959). Moraes was at the time away in Montevideo, Uruguay, working for the Itamaraty (the Brazilian Ministry of Foreign Affairs) and so he and Jobim were only able to write three songs, primarily over the telephone ("A Felicidade", "Frevo",and "O Nosso Amor"). This collaboration proved successful, and Vinicius went on to pen the lyrics to some of Jobim's most popular songs. A key event in making Jobim's music known in the English speaking world was his collaboration with the America

  • Vydavateľstvo: Books LLC, Reference Series
  • Rok vydania: 2012
  • Formát: Paperback
  • Rozmer: 246 x 189 mm
  • Jazyk: Anglický jazyk
  • ISBN: 9781157364566

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