Chinese animation

Source: Wikipedia. Pages: 25. Chapters: History of Chinese animation, Pleasant Goat and Big Big Wolf, AI Football GGO, Xiao Xiao, Astro Plan, Calabash Brothers, Zentrix, Old Master Q, Nezha, 3000 Whys of Blue Cat, The Olympic Adventures of Fuwa, Century Sonny, Cyber Weapon Z, Music Up, Lan Mao, Wanderings of Sanmao, Black Cat Detective, Qin's Moon, Chess Player, Tortoise Hanba's Stories, The Dreaming Girl, The Blue Mouse and the Big Faced Cat, SkyEye, Romance of the Three Kingdoms, List of Chinese animated series. Excerpt: Chinese animation (simplified Chinese: ; traditional Chinese: ; pinyin: Huárénzhì dònghuà) or Manhua Anime, in narrow sense, refers to animations that are made in China. In broad sense, it may refers to animations that are made in any Chinese speaking countries such as People's Republic of China (mainland China), Republic of China (Taiwan), Hong Kong, Singapore, Malaysia, etc. The history of Chinese animation began in 1918 when an animation piece from the US titled Out of the Inkwell landed in Shanghai. Cartoon clips were first used in advertisements for domestic products. Though the animation industry did not begin until the arrival of the Wan brothers in 1926. From the first film with sound The Camel's Dance to the first film of notable length Princess Iron Fan, China was relatively on pace with the rest of the world. Though China's golden age of animation would come to a complete halt when the Chinese Communist Party led by Mao Zedong introduced the Cultural Revolution. Many animators were forced to quit. If not for harsh economic conditions, the mistreatment of the Red Guards would threaten their work. The surviving animations would lean closer to propaganda. By the 1980s, Japan would emerge as the animation powerhouse of the Far East, leaving China's industry decimated in reputation and productivity. Though two major changes would occur in the 1990s, igniting some of the biggest changes since the exploration periods. The first is a political change. The implementation of a socialist market economy would push out traditional planned economy systems. No longer would a single entity limit the industry's output and income. The second is a technological change with the arrival of the Internet. New opportunities would emerge from flash animations and the contents became more open. Today China is drastically reinventing itself in the animation industry with greater influences from Hong Kong and Taiwan. Monkey King, from the 1964 animation Havoc in HeavenChinese animat